does its best Limp Bizkit imitation or when Project 86 presents its take on Korn, but rather on the few songs here that aren't obviously derivative. The most interesting moments on this album aren't when P.O.D. For the most part, all of the featured bands and their respective contributions are little but second-generation attempts to duplicate the sound of Korn, Limp Bizkit, and Rage Against the Machine, arguably the three most important heavy metal bands of the mid- to late '90s - and undoubtedly the most influential. While this soundtrack is mostly forgettable as a lackluster compilation, it does have one noteworthy characteristic, standing as a well-compiled example of just how derivative heavy metal had become by the end of the 1990s.
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